Peter Burke „Тhe Italian Renaissance. Сulturе end sociеty in Italy“ (Питер Бърк "Италианският Ренесанс. Култура и общество в Италия")

 Никола Бенин

Питер Бёрк, "Итальянский Ренессанс. Культура и общество в Италии", 2014 (1-е изд.- 1972):

In this brilliant and widely acclaimed work, Peter Burke presents a social and cultural history of the Italian Renaissance. He discusses the social and political institutions that existed in Italy during the fifteenth and sixteenth centuries, and he analyses the ways of thinking and seeing that characterized this period of extraordinary artistic creativity.

Developing a distinctive sociological approach, Peter Burke is concerned not only with the finished works of Michelangelo, Raphael, Leonardo da Vinci, and others, but also with the social background, patterns of recruitment, and means of subsistence of this 'cultural elite.' He thus makes a major contribution to our understanding of the Italian Renaissance, and to our comprehension of the complex relations between culture and society.

Burke has thoroughly revised and updated the text for this new edition, including a new introduction, and the book is richly illustrated throughout. It will have a wide appeal among historians, sociologists, and anyone interested in one of the most creative periods of European history.

CONTENTS
Introduction 
The Theme 1
The Approach 4
A Revised Edition 8

Part I The Problem
1 The Arts in Renaissance Italy 17
2 The Historians: The Discovery of Social and Cultural History 32

Part II The Arts in their Milieu
3 Artists and Writers 47
Recruitment 47
Training 56
The Organization of the Arts 67
The Status of the Arts 80
Artists as Social Deviants 88

4 Patrons and Clients 94
Who are the Patrons? 95
Patrons v. Artists 107
Architecture, Music and Literature 118
The Rise of the Market 125

5 The Uses of Works of Art 132
Magic and Religion 133
Politics 138
The Private Sphere 148
Art for Pleasure 151

6 Taste 152
The Visual Arts 153
Music 161
Literature 164
Varieties of Taste 166

7 Iconography 171

Part III The Wider Society
8 Worldviews: Some Dominant Traits 187
Views of the Cosmos 188
Views of Society 198
Views of Man 203
Towards the Mechanization of the World Picture 211

9 The Social Framework 215
Religious Organization 215
Political Organization 220
The Social Structure 228
The Economy 234

10 Cultural and Social Change 241
Generations 242
Structural Changes 249

11 Comparisons and Conclusions 255
The Netherlands 256
Japan 259

Appendix: The Creative Elite 264
References and Bibliography 266
Index 314